Tag Archives: Ana Santos-Sánchez

A Jeff Recommended theater play for 2021 International Education Week

TO CELEBRATE 2021 INTERNATIONAL EDUCATION WEEK, the Chicago Chapter of the Fulbright Association invites you to a reception followed by the Jeff-recommended theater play, “La gran tirana (Descarga dramática)” produced by Aguijón Theater of Chicago.

With the reopening of theaters we are getting together to rejoice with this show that presents the gripping story of Ana Morgana (Ana Santos-Sánchez,) an immigrant and an artist who transcends her everyday reality by imagining herself a star: La Lupe. Singing the famous woman’s songs, retelling the diva’s troubled life as if it were her own, Morgana creates her identity by remembering someone else’s.

Ana Santos-Sánchez as Ana Morgana in “La Gran Tirana (Descarga Dramática)” Aguijón Theater

Conceived and directed by Sándor Menéndez, written by Rey Andújar, and inspired by the life of the incomparable Lupe Victoria Yolí Raymond, better known as La Lupe, the Queen of Latin Soul, La gran tirana (Descarga dramática) explores the journey of this artist through poetry and music, becoming a love letter to the rhythms and sounds of the Caribbean.

The play is presented in Spanish with English supertitles.

WHEN Saturday, November 20, 2021
TIME Reception 6:15 -7:45 pm  | Play: 8:00-9:30 pm
WHERE Aguijón Theater
2707 North Laramie Ave. Chicago, IL 60639


COST Ticket Price $30 [Fulbright Alumni & Friends of Fulbright]
Free Admission [Current Scholars* & Consular Corps]
Purchase Tickets HERE
RSVP by November 14, 2021 [This is a Limited Capacity event]
Click to RSVP

Additional tickets [without reception] for the play can be purchased HERE.


COVID-19 Event Protocol: Please present a vaccination card or most recent COVID-19 PCR negative test upon check-in.
Please adhere to the state mask mandate for indoor/outdoor sections of the venue.
*One free admission per student/scholar

Santos-Sánchez’s soulful, passionate, leave-it-all-in-the-road performance, balanced by Menéndez’s wry irony, creates a near-seamless dynamic. And by the end, we realize that it doesn’t really matter if we know all the facts about La Lupe’s life. We know her truth. “My life is the obstacle, not the spectacle,” she tells us. But this is a show that manages to be both intimate and spectacular.

—Kerry Reid, Chicago Reader